“Waiting For Superman,” the album’s first single, opens with a series of electronic blips that feels strangely reminiscent of Owl City’s “Fireflies.” The instrumentation quickly becomes more guitar-focused, but EDM influences are present throughout the song, with synths and the blips fading in and out over the song’s duration. The track introduces a religious theme that will be more or less present throughout the album. “Baptized” is one of Daughtry’s most original songs on the album, but it still feels formulaic and overly radio-friendly, with a sing-a-long feel and repetitive lyrics. The album’s title track opens with a fingerpicked banjo and simple percussion, developing into a Mumford & Sons-influenced rock ballad. Daughtry’s Baptized brings together various types of rock into a progressive and eclectic, but ultimately inconsequential, album.
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